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TMPGEnc Video Mastering Works 5 BBS [ Sorted by thread creation date ]
In reality, you can't remove or delete a tv channel logo, with out messing with the pixel size, who will be fully visible in the video after the attempt.
I have tried to look at several videos, where people has made such removal/delete attempts and the job they all did looked terrible, because they all ended up with a annoying wide blurry line all the way across the entire screen.
So don't even go there, its looks terrible when ever some one tries to do it.
There its just better to keep the logo intact, just like every scene rippers do, to keep the entire image intact.
Yes, this can be done with animation key points in Timeline mode.
Simply make at least two key points in an animation timeline, one for your zoom start point and one for the end point.
Navigate to the end point, then in the preview window, drag the anchor points to resize the video and position as you see fit.
Hello, anyone there any information on the NVENC support since the abandonment of NVCUVENC after nvidia 337.88 drivers?
Thank you in advance for any info.
The high-speed hardware encoder "NVENC"
NVIDIA's Kepler core corresponding to the H.264 / AVC output in the new generation high speed hardware encoder "NVENC" to be mounted on a graphics card (GeForce 600 series) or later. Compared to encode in the conventional CUDA *, speed, so we image quality is significantly improved, you spread the width of the applications further.
B.
p.s. ...in Japan no people known ENG language to transalate resources:-((
I wonder how 10-bit sources are subsampled to 8-bit during conversion ?
Just plain stripping of the LSB ?
What implications on how to best prepare the 10-bit source (dithering ?)
Maybe inrelated to the above Q, but I was making some tests with a jpeg2000 encoded video (4.2.2, 10bit, Avid implementation) in a QuickTime MOV container, and noticed that the luma range was incorrectly detected by TVMW (needs significant contrast & brightness boost)
when i try to load an .avi i made with the Lagarith Lossless Codec, i get this Error: Invalid Sampleformat (Error 0x80048002).
Tried to search on the Web for it, but nothing useful came up. Any suggestions what i can do?
Each week I use the "Picture Crop" filter to process hundreds of 16:9 camera files to 4:3 and then convert them to either MPEG-1 or MPEG-2. The "Picture Crop" filter requires that I enter two crop values for each file, which is pretty tedious when doing many files.
Is there any way to automate this process such as Photoshop has using scripts (and even better using a "Droplet")?
Ideally this script would automate the process from file open to output.
If you are always using the same values, you can save the filter settings as a filter template. Then you simply load the template for each project/video.
If you are always using the crop filter, you can set your filter template as the default filter settings, then you won't even have to load the template file.
To do this, go to Options-->Preferences-->Clip editing-->Clip Default Preferences, and then select your filter template as the default.
I downloaded sample footage encoded with XAVC Long GOP codec (in MXF container) and tried to add it to the Video Mastering Works 5 project. Unfortunately, it can't be done...
Please, add the support of both XAVC Intra , and XAVC Long GOP codec, which are used in professional camcorders.
said this on another thread but felt it better to also start it on the software im currently using.
Yeah, i just "complained" that they dont have something like or just the avi 10bit that sony vegas and adobe have for rendering. and i did the complaint because its NEEDED when you use noise filters to avoid the chroma banding.
also they really do need to add support for 10bit videos for import aswell as its a royal pain in the rear having to render 10 bit into 8 bit just for the software to work with it
Hi, I am using VMW5 for a year now and I know how to add a watermark to a video in timeline mode.
But, I need to do around 1500 video's, all with the same Watermark, all with the same output format. (We can assume the input format is also all the same, but might differ from the output format).
Is there any way, and if yes, what is the best way to achieve this with VMW5 ?
Ouch, 1500 videos might be difficult. I can't think of an automated way to do it.
When I have multiple videos, I usually put them in the same timeline, each on their own layer. The watermark layer stays at the top and is always visible (and must be adjusted to the length of the selected video layer), then I only make one video layer visible at a time and output.
You can make an output template and once it is selected, it will remain selected for the project until you change it, so you can go back to the edit screen and select a different layer for output, then go directly to the Encode stage and rename the output file.
The difference, of course, is that I'm usually only working with 2-3 videos, so it's not a hassle. I can't imagine doing that for 1500 videos.
Hopefully in the future, they will make a watermark filter (instead of us having to use a layer in timeline mode); that way, you'd be able to use the Normal mode's "output all videos as a separate file" output option.
the way i cans ee it happening is in sections ie collective groups of planned output.
you add all the files in each single group into the timeline, select batch and select the watermark, then on the output select multiple files since its the same output and do it that way. and then save that project file and continue doing the same thing for each different output setting. when ready, open the batch encoder and load all the project files and run it
I am going to buy a camcorder, which uses the professional XAVC Long GOP codec in MXF container (Sony PXW-X70). Is it supported by Video Mastering Works 5? If not, will it do it in the future version? In the meantime, I am using files from my Sony RX-10 camera encoded with the consumer version of that codec (XAVC-S) in MP4 container, they are supported by VMW 5, and I am happy with the result.
TMPGEnc MASTERING WORKS 5 offers the choice of whether or not to use multi-threaded encoding but it's an all-or-nothing affair. On my i7 quad core, TMW5 uses 36 threads to encode an AVC(x264) video, which degrades the quality (I've done frame-by-frame comparisons) significantly more than, say, 4 threads would.
Could users have more control over this?
Also, x264 sets the "slices" minimum to 1; I'd rather use 0.
These two issues are THE deciding factors regarding my choice of encoder. If I need a small file size (and want it to finish encoding while I'm still young...-ish), then I really can't abide using 36 threads to encode a single-sliced video.
Other than those two issues, I'd pretty much marry the software. Both options are doable in the x264 engine itself, just not in TMPGEnc Mastering Works 5.