I converted a video i captured and edited in m2ts and want to code for apple TV 4. When i go to play apple TV said its not compatable but will play on old apple TV 2 (Anyone have recommended output settings.

I planned support for AV1 compression (CPU or GPU) in Video Mastering Works 7
(8)?

thanks for info
B

As the latest Premiere have removed analogue capture from their latest update just wondered about this TVMW7

I suggest instead trying Corel VideoStudio Pro
That one should still have the ability do capturing of analogue video, if it can find the capturing drivers for your camcorder.
You can download the studio from Corel's site and try it out for 30 days, so that at least gives the ability to test if it works.

Does anyone know how to achieve Colour Correction changes in a clip? In Premiere it has keyframes from which to change colours exposure contrast etc. The only way I can achieve this (as a newby to TVMW7) is to split the clips and change the colour in the section that needs it but then there is no phased-in element
Thanks in advance

Should I use both sharpen AND Smart sharpen on my video project ? I have some very old VHS video, need to improve the quality thanks

I have been trying to generate a slideshow using a constant bitrate. So far I have not been able to get that to work. I have tried to generate mp4 (H.264/AVC), mpeg2 and a few other types and always set the "Rate Control Mode" to "CBR (Constant Bitrate)". When I inspect the output file the bitrate is always variable and is not constant.

Is this a bug or am I missing some other option?

For me works? Now a check this:

Video Mastering Works 7 settings:
Generic format: MP4
Stream Format: H.264/AVC
Video Encoder: x264 ...=CPU
Rate Control Mode: CBR <---------------------

MediaInfo on output file:
General
Format : MPEG-4
Format profile : Base Media / Version 2
Codec ID : mp42 (mp42/isom/avc1)
File size : 767 KiB
Duration : 8 s 91 ms
Overall bit rate mode : Constant <---------------------
Overall bit rate : 777 kb/s
Encoded date : UTC 2020-08-24 15:08:08
Tagged date : UTC 2020-08-24 15:08:08
Writing application : TMPGEnc Video Mastering Works 7 Version 7.0.15.17

Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L5.1
Format settings : CABAC / 7 Ref Frames
Format settings, CABAC : Yes
Format settings, Reference frames : 7 frames
Codec ID : avc1
Codec ID/Info : Advanced Video Coding
Duration : 8 s 91 ms
Bit rate mode : Constant <---------------------
Bit rate : 458 kb/s

If I open in TVMW7 MKV with DTS, video ok, but audio tracks not show. TVMW7 not support DTS? Really?

Freeware Avidemux support DTS...
Freeware HandBrake support DTS...
Freeware MeGUI support DTS...
...

?

Just download and install LAV Filters from Videohelp.

Then in TMPGEnc go this path: Preferences => Input/Output Format List => File Reader Setting
Here de-select all, accept MPEG File Reader and DirectShow File Reader

Then you get import support for even DTS-HD Master and Dolby Atmos.

Those free tools you mention, use the very same open source DirectShow filters as LAV Filters are delivered with.

If Pegasys had to pay for the actual codecs from Dolby and DTS, then you can count on that the TMPGEnc softwares would be at least 6 times more expensive, which is rediculous when you can use DirectShow filter packages like LAV Filters instead.

Is there a way to output Atmos?

Hi!
Original version from mastering works 5, 6, and 7, not trial.
Some video output have some stuttering problem.

I've tested with "For a Few Dollars More" bluray input.
original bluray have vc1 codec, my output is hevc and avc (x265 and x264 respectively).

Can I do Timecode Burn-in from the original recording TC?

I tried it using the proper settings under Titles>Subtitles and it just creates source TC from "0". What might I be doing wrong? Thanks in advance

TVMW7 - convert HDR source to any output SDR format - no problem. BUT. Colors. Default change ColorProfile not correctly recompute colorspace. Colors in SDR video from HDR source is faded. I tested "Color Correction" filter, but any setting not correctly set SDR color.

Is any possibility correctly recompute colors when convert HDR source do SDR destination in TVME7?

thanks for info
B.

How my fault!:-) In EDIT page is needed use COLOR MANAGMENT page, and then in FORMAT page COLOR PROFILE page. Eee on two places same information/settings but OK. Colors after HDR to SDR conversion is "aggressive", but i test TONE MAPPING.

= all is ok:-)

After many many days of experiments and many many days of encoding - HDR to SDR conversion in TVMW7 not work corretly/very bad implementation. Colors always "burn out". I check HDR source (2160p and 1080p) on HDR display, SDR source (2160p and 1080p) on SDR/HDR display and compare with reencoded HDR to SDR in TVMW7 (2160p and too 1080p) - colors always "unreal" and brightness to high (always). Small details destroyed. Yes i check many combinations of WorkingColorSpace, ToneMapping and Maximum Luminance, combinations of input Working Color Space (primaries and transfer) and Color profile - nothing correct this. And filter "Color Correction" too useless.

Result:
TVMW7 encoding HDR do SDR - Perfect
TVMW7 encoding SDR to SDR - Perfect
TVMW7 encoding HDR to SDR - Inapplicable:-(

...correction (typing error)

Result:
TVMW7 encoding HDR do HDR - Perfect
TVMW7 encoding SDR to SDR - Perfect
TVMW7 encoding HDR to SDR - Inapplicable:-(

...i check others SW (FFMPEG, RipBoot264 etc.) and result:
- conversion BT2020(HDR) to BT709(SDR) in *ALL(!)* others sw WITHOUT PROBLEM
- conversion BT2020(HDR) to BT709(SDR) in VMW7 just NOT WORK:-(

All other freeware(!) SW corretly transfer colors, in paid VMW7 color
burnt out, detail lost etc.:-(((

B.

p.s. ...example for working conversion:
"c:\Program Files\FFmpeg\bin\ffmpeg.exe" -i "<x>:\<source>" -vf zscale=t=linear:npl=100,format=gbrpf32le,zscale=p=bt709,tonemap=tonemap=hable:desat=0,zscale=t=bt709:m=bt709:r=tv,format=yuv420p -c:v libx265 -crf 18 -preset faster -map 0 -c:a copy "<x>:\<target>"

= first encoding in FFMPEG (convert BT2020 to BT709), second encoding in VMW7 to final format - this is not a long-term solution:-(((

You need the correct LUT files (.cube) for being able to open and show HDR videos correctly.
I have a source for such a place:
https://originaltrilogy.com/topic/Info-Guide-for-Working-with-4K-HDR-Blu-ray-Rips-in-SDR/id/74681
In the bottom of that guide, there you can find and download his LUT files.

Those you just download and copy to a folder, example called LUT, at the same place that TMPGEnc Video Mastering Works 7 is installed:
C: => Programs => Pegasys inc

When then wanting to use one of the LUT's, then after opening the video, then under Video Properties, find the word LUT and click on Settings.
Then choose Import File and find the location where you put the LUT's, choose one and then open the LUT.

One specific i just had a lot of success with is the one named: Rec2020ToRec709_CSTCreativeSW
Using that one and making some small adjustments to Contrast, Gamma and Chroma, i was able to create a PERFECT 1080p standard video as MP4 out of HDR versions of WandaVision.

Suggest also saving the adjustments you made to Contrast, Gamma and Chroma as a new template, so you don't have to do these adjustments each time you work with a HDR video.

In my limited experience so far, I find that TMPGEnc Video Mastering Works maps the HDR video to SDR quite well, but with a tendency to burn out the highlights with some tone mapping options.
We have 7 options for tone mapping: Disabled, Hard Clipping, and Soft Clipping at 50%, 60%, 70%, 80% and 90%. I wish I knew exactly what these settings mean, but in practice, with my data, they all give quite similar results, with the Disabled and Hard Clip more inclined to show a blown out white as slightly pink. The 50% Soft Clipping gives the best result and seems to be about optimum for my material. However, it would be nice to have lower values available, such as 40%, in case some scenes needed it. Some control over the shape of the softening curve may also be useful.
A histogram display with the ability to move independently any shadow hump or highlight hump, left or right, along the tone scale axis would be good.
I don’t have anything to show the histogram of HDR video, but it could be that other videos have more pixels in the high-level range, and that may be the reason for Bullhead’s poor experience.
A simple manipulation of the tone mapping curve is of course not the only way to compress dynamic range. A better approach would be some sort of scene analysis that first breaks the picture up into objects, or into shade and well-lit regions, with feathering of the boundaries between them. It seems to me that the Shadow/Highlight adjustment in Adobe software has some elements of this approach. LightMachine is a plugin for Photoshop that certainly does that for images.
As an example to illustrate the limits of simple tone mapping, consider a building with its façade partly in shade and partly in full sun. Let the wall be painted, say, a light brown, with the trim around the doors and windows painted a dark brown, which happens to be the same colour as the part of the wall that is in shade. Now, if you attempt to soften the shadow on the wall by increasing the brightness of all pixels that have the shadowed wall colour, the trim around the doors and windows that are in sunlight will also be lightened erroneously. Lightmachine attempts to solve that problem by identifying large darkish areas as shade and ignoring smaller objects that have the same darkness. It doesn’t do a perfect job of course!

TVMW7 not support more audio tracks? NOT BILINGUAL. Just simply more audio track - e.g. English DD 5.1 and Japan DD 5.1 in MKV.

Real example:
-------------
- I have 4k MKV movie with English DD 5.1 and Japan DD 5.1
- I need re-encode to 480p MKV (for daughter players) WITH BOTH TRACKS
- In Timeline mode, if I add (layer1) only video, (layer2) audio track 1 and (layer3) audio track 2, TVMW7 “combine” both sound (in both possible output – Timeline output and All track Timeline output)
- in Normal mode I tested may combinations, one possibility is add 3x same movie, in first disable in clip properties audio, in second disable video, in third disable video and switch to second 5.1 channel – after Encode to “Individual clips” TVMW7 create three MKV, in all video and audio, in first video and no functional audio, in second no functional video and functional audio track 1 and in third no functional video and functional audio track 2 – I must merge this in another SW in correct MKV.

Question:
---------
Is possible in TVMW7 simply re-encode video with 2 audio track file to another video with 2 audio track file?

TVMW7 does not support multiple audio tracks as far as I know. Would be nice though since it's possible with many formats.

Thanks for info "tkrave". B.

A very common requirement is to crop letterboxed wide-screen videos to make them 16:9 full-screen.
First we crop the black from top and bottom.
Then we have to crop left and right to maintain the same aspect ratio and avoid distortion. The amount cropped from left and/or right depends on the content - the most important part of the video is not always in the center.
So the video has to be split into many short clips.
So we slowly play the video in "Filters" view, displaying the output area guide lines, to identify where the cropping has to change.
But to add each clip split point, we have to:
- return to "Cut edit" view
- set the split point
- return to "Filters" view.
So please just display an "set split point" button to the "Filters" screen.
(Resetting split points can be done in "Cut edit" view if that is easier for you)